MOOC edX コース 「現代日本建築の四相」 Xシリーズ スタート ”Four Facets of Contemporary Japanese Architecture” XSeries Program has started at edX.
1964年と2021年、２回の東京オリンピックの間の日本の約60年間 建築はどう変わったのか？
During nearly 60 years between the two Tokyo Olympics, 1964 and 2021, how has architecture changed?
1964年と2021年、２回の東京オリンピックの間の日本の約60年間 建築はどう変わったのか？
このXシリーズでは、オンライン講座「現代日本建築の四相」シリーズの４つの講座「第一相：理論」「第二相：技術」「第三相：都市」「第四相：人間」のすべてを受講できます。有料コースでは、理解度を試すクイズに答えることで修了証を受けられますが、無料コースでも、すべての講義映像を視聴できます。
このシリーズでは、戦後の高度成長から現在にいたる日本の激動の半世紀を、建築の四つの相に着目して、その当事者であった建築家とともに振り返ってきました。ぜひ、これからの建築と人間の進む道を考えるための資料として、多くの方に役立てていただけることを願っています。
出演建築家
第一相：理論
磯崎新、香山壽夫、藤森照信、大野秀敏、隈研吾、妹島和世
第二相：技術
安藤忠雄、難波和彦、坂茂、隈研吾、千葉学、小渕祐介
第三相：都市
槇文彦、長谷川逸子、山本理顕、隈研吾、青木淳、アトリエ・ワン（塚本由晴・貝島桃代）
第四相：人間
原広司、伊東豊雄、石山修武、隈研吾、篠原聡子、藤本壮介
edXの東京大学サイト：https://www.edx.org/school/utokyox
このXシリーズでは、オンライン講座「現代日本建築の四相」シリーズの４つの講座「第一相：理論」「第二相：技術」「第三相：都市」「第四相：人間」のすべてを受講できます。有料コースでは、理解度を試すクイズに答えることで修了証を受けられますが、無料コースでも、すべての講義映像を視聴できます。
このシリーズでは、戦後の高度成長から現在にいたる日本の激動の半世紀を、建築の四つの相に着目して、その当事者であった建築家とともに振り返ってきました。ぜひ、これからの建築と人間の進む道を考えるための資料として、多くの方に役立てていただけることを願っています。
出演建築家
第一相：理論
磯崎新、香山壽夫、藤森照信、大野秀敏、隈研吾、妹島和世
第二相：技術
安藤忠雄、難波和彦、坂茂、隈研吾、千葉学、小渕祐介
第三相：都市
槇文彦、長谷川逸子、山本理顕、隈研吾、青木淳、アトリエ・ワン（塚本由晴・貝島桃代）
第四相：人間
原広司、伊東豊雄、石山修武、隈研吾、篠原聡子、藤本壮介
edXの東京大学サイト：https://www.edx.org/school/utokyox
In this XSeries, you can take all four courses in the “Four Facets of Contemporary Japanese Architecture” series: “1st Facet: Theory,” “2nd Facet: Technology,” “3rd Facet: City,” and “4th Facet: Humans”. In the paid course [Verified Track], you will receive a certificate of completion by answering comprehension quizzes, but you can also view all lecture videos in the free course [Audit Track].
In this series, we have looked back on the turbulent half-century since Japan’s reconstruction after World War II, focusing on the four facets of architecture, together with the architects involved. We hope that many people will find it useful as a resource for considering the future of architecture and humanity.
Contents
FOUR FACETS OF CONTEMPORARY JAPANESE ARCHITECTURE: Theory
1-1. Revisiting Kenzo Tange, Yoyogi 1st Gymnasium (1964)
1-2. In Search of a Space – Arata Isozaki, The Museum of Modern Art, Gunma (1974)
1-3. Learning from Style – Hisao Kohyama, Sainokuni Saitama Arts Theater (1994)
1-4. New Primitivism – Terunobu Fujimori, La Collina Omihachiman (2014)
1-5. Connecting the Dots – Hidetoshi Ohno, Heart Nursery School (2014)
1-6. Architect without Architecture – Kengo Kuma, Asakusa Culture Tourist Information Center (2012)
1-7. Too Large As Architecture Too Small As City – Kazuyo Sejima, Inujima “Art House Project” (2010-)
1-8. Review – 1st Facet: Theory
FOUR FACETS OF CONTEMPORARY JAPANESE ARCHITECTURE: Technology
2-1. Architecture Lives Inside People – Tadao Ando, Atelier in Oyodo II (1991)
2-2. Advancing Systemic Spaces – Kazuhiko Namba, BOXHOUSE 112 (2006)
2-3. What Do You Want, Wood? – Shigeru Ban, La Seine Musicale (2017)
2-4. Why I Went to Countryside? – Kengo Kuma, Yusuhara Wooden Bridge Museum (2010)
2-5. Design by Reinterpretation – Manabu Chiba, KOGAKUIN UNIVERSITY 125TH MEMORIAL EDUCATION CENTER (2012)
2-6. In Praise of Errors – Yusuke Obuchi, DFL Pavilion (2015)
2-7. Review – 2nd Facet: Technology
FOUR FACETS OF CONTEMPORARY JAPANESE ARCHITECTURE: City
3-1. Architectures in Unconditional Love – Fumihiko Maki, Hillside Terrace (1969-1992)
3-2. Architecture for the People – Itsuko Hasegawa, Niigata City Performing Arts Center (1998)
3-3. Transparency: Literal & Behavioral – Riken Yamamoto, Saitama Prefectural University (1999)
3-4. Worldly Architecture – Kengo Kuma, Nagaoka City Hall Aore (2012)
3-5. Towards an Architecture of Emancipation – Jun Aoki, Omiyamae Gymnasium (2014)
3-6. architecture After Architecture – Atelier Bow-Wow, Koisuru-Buta Laboratory (2012)
3-7. Review – 3rd Facet: City
FOUR FACETS OF CONTEMPORARY JAPANESE ARCHITECTURE: Humans
4-1. Architecture is Fiction – Hiroshi Hara, Hara House (1974)
4-2. Constructing From Subconscious Images – Toyo Ito, Toyo Ito Museum of Architecture, Imabari (2011)
4-3. Towards an Architecture of Interiority – Osamu Ishiyama, Gen An (1975)
4-4. Living Room of the City – Kengo Kuma, V&A Dundee (2018)
4-5. A House for Living Together – Satoko Shinohara, SHARE yaraicho (2012)
4-6. Respect the World – Sou Fujimoto, SHIROIYA HOTEL (2020)
4-7. Review – Kengo Kuma & Yusuke Obuchi, Japan National Stadium (2019)
In this series, we have looked back on the turbulent half-century since Japan’s reconstruction after World War II, focusing on the four facets of architecture, together with the architects involved. We hope that many people will find it useful as a resource for considering the future of architecture and humanity.
Contents
FOUR FACETS OF CONTEMPORARY JAPANESE ARCHITECTURE: Theory
1-1. Revisiting Kenzo Tange, Yoyogi 1st Gymnasium (1964)
1-2. In Search of a Space – Arata Isozaki, The Museum of Modern Art, Gunma (1974)
1-3. Learning from Style – Hisao Kohyama, Sainokuni Saitama Arts Theater (1994)
1-4. New Primitivism – Terunobu Fujimori, La Collina Omihachiman (2014)
1-5. Connecting the Dots – Hidetoshi Ohno, Heart Nursery School (2014)
1-6. Architect without Architecture – Kengo Kuma, Asakusa Culture Tourist Information Center (2012)
1-7. Too Large As Architecture Too Small As City – Kazuyo Sejima, Inujima “Art House Project” (2010-)
1-8. Review – 1st Facet: Theory
FOUR FACETS OF CONTEMPORARY JAPANESE ARCHITECTURE: Technology
2-1. Architecture Lives Inside People – Tadao Ando, Atelier in Oyodo II (1991)
2-2. Advancing Systemic Spaces – Kazuhiko Namba, BOXHOUSE 112 (2006)
2-3. What Do You Want, Wood? – Shigeru Ban, La Seine Musicale (2017)
2-4. Why I Went to Countryside? – Kengo Kuma, Yusuhara Wooden Bridge Museum (2010)
2-5. Design by Reinterpretation – Manabu Chiba, KOGAKUIN UNIVERSITY 125TH MEMORIAL EDUCATION CENTER (2012)
2-6. In Praise of Errors – Yusuke Obuchi, DFL Pavilion (2015)
2-7. Review – 2nd Facet: Technology
FOUR FACETS OF CONTEMPORARY JAPANESE ARCHITECTURE: City
3-1. Architectures in Unconditional Love – Fumihiko Maki, Hillside Terrace (1969-1992)
3-2. Architecture for the People – Itsuko Hasegawa, Niigata City Performing Arts Center (1998)
3-3. Transparency: Literal & Behavioral – Riken Yamamoto, Saitama Prefectural University (1999)
3-4. Worldly Architecture – Kengo Kuma, Nagaoka City Hall Aore (2012)
3-5. Towards an Architecture of Emancipation – Jun Aoki, Omiyamae Gymnasium (2014)
3-6. architecture After Architecture – Atelier Bow-Wow, Koisuru-Buta Laboratory (2012)
3-7. Review – 3rd Facet: City
FOUR FACETS OF CONTEMPORARY JAPANESE ARCHITECTURE: Humans
4-1. Architecture is Fiction – Hiroshi Hara, Hara House (1974)
4-2. Constructing From Subconscious Images – Toyo Ito, Toyo Ito Museum of Architecture, Imabari (2011)
4-3. Towards an Architecture of Interiority – Osamu Ishiyama, Gen An (1975)
4-4. Living Room of the City – Kengo Kuma, V&A Dundee (2018)
4-5. A House for Living Together – Satoko Shinohara, SHARE yaraicho (2012)
4-6. Respect the World – Sou Fujimoto, SHIROIYA HOTEL (2020)
4-7. Review – Kengo Kuma & Yusuke Obuchi, Japan National Stadium (2019)
Online courses from The University of Tokyo: https://www.edx.org/school/utokyox
